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dc.contributor.authorLabaronne, Leticia-
dc.contributor.authorPiber, Martin-
dc.date.accessioned2021-01-14T09:38:59Z-
dc.date.available2021-01-14T09:38:59Z-
dc.date.issued2020-
dc.identifier.isbn978-3-030-46795-1de_CH
dc.identifier.isbn978-3-030-46796-8de_CH
dc.identifier.urihttps://digitalcollection.zhaw.ch/handle/11475/21273-
dc.description.abstractThis chapter discusses the (often uncontested) underlying conceptualisations of performance evaluation inherent to the positivist paradigm. It problematises the origins and development of the field of evaluation and scrutinises the limits of performance measurement and evaluation as currently applied to the cultural and creative sector. Drawing on a systematic literature review, data analysis and empirical material in the context of institutional and temporary cultural organisations, we analyse political, organisational and artistic practices in relation to performance measurement, evaluation and sense-making. We first look at how performance is understood, measured and politically instrumentalised in major temporary cultural events, elaborating on the case of the European Capitals of Culture. In particular, we address issues of participation and sustainability. Next, by drawing on an ethnographic study of long-standing arts organisations in Vienna and Berlin, we analyse how performance itself is enacted and embedded in the artistic processes of the institutionalised performing arts. We then show how the artistic dimension of organisational performance can be more responsibly and holistically represented in evaluation practices. Our analysis reflects on the status quo of performance measurement and evaluation in the arts and cultural sector and the challenges associated with the current practices, which have been heavily influenced by positivist thinking in cultural policy and arts management research. Finally, we offer avenues for further developments.de_CH
dc.language.isoende_CH
dc.publisherSpringerde_CH
dc.relation.ispartofManagement, Participation and Entrepreneurship in the Cultural and Creative Sectorde_CH
dc.rightsLicence according to publishing contractde_CH
dc.subjectEuropean capital of culturede_CH
dc.subjectEvaluationde_CH
dc.subjectPerformance measurementde_CH
dc.subjectArt and cultural organisationde_CH
dc.subjectCultural eventde_CH
dc.subject.ddc306: Kulturde_CH
dc.titlePerformance measurement and evaluation in the arts and cultural sector : state-of-the-art in theory and practice and prolegomena for further developmentsde_CH
dc.typeBuchbeitragde_CH
dcterms.typeTextde_CH
zhaw.departementSchool of Management and Lawde_CH
zhaw.organisationalunitZentrum für Kulturmanagement (ZKM)de_CH
zhaw.publisher.placeChamde_CH
dc.identifier.doi10.1007/978-3-030-46796-8_11de_CH
zhaw.funding.euNode_CH
zhaw.originated.zhawYesde_CH
zhaw.pages.end240de_CH
zhaw.pages.start219de_CH
zhaw.parentwork.editorPiber, Martin-
zhaw.publication.statuspublishedVersionde_CH
zhaw.publication.reviewEditorial reviewde_CH
zhaw.author.additionalNode_CH
zhaw.display.portraitYesde_CH
Appears in collections:Publikationen School of Management and Law

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Labaronne, L., & Piber, M. (2020). Performance measurement and evaluation in the arts and cultural sector : state-of-the-art in theory and practice and prolegomena for further developments. In M. Piber (Ed.), Management, Participation and Entrepreneurship in the Cultural and Creative Sector (pp. 219–240). Springer. https://doi.org/10.1007/978-3-030-46796-8_11
Labaronne, L. and Piber, M. (2020) ‘Performance measurement and evaluation in the arts and cultural sector : state-of-the-art in theory and practice and prolegomena for further developments’, in M. Piber (ed.) Management, Participation and Entrepreneurship in the Cultural and Creative Sector. Cham: Springer, pp. 219–240. Available at: https://doi.org/10.1007/978-3-030-46796-8_11.
L. Labaronne and M. Piber, “Performance measurement and evaluation in the arts and cultural sector : state-of-the-art in theory and practice and prolegomena for further developments,” in Management, Participation and Entrepreneurship in the Cultural and Creative Sector, M. Piber, Ed. Cham: Springer, 2020, pp. 219–240. doi: 10.1007/978-3-030-46796-8_11.
LABARONNE, Leticia und Martin PIBER, 2020. Performance measurement and evaluation in the arts and cultural sector : state-of-the-art in theory and practice and prolegomena for further developments. In: Martin PIBER (Hrsg.), Management, Participation and Entrepreneurship in the Cultural and Creative Sector. Cham: Springer. S. 219–240. ISBN 978-3-030-46795-1
Labaronne, Leticia, and Martin Piber. 2020. “Performance Measurement and Evaluation in the Arts and Cultural Sector : State-of-the-Art in Theory and Practice and Prolegomena for Further Developments.” In Management, Participation and Entrepreneurship in the Cultural and Creative Sector, edited by Martin Piber, 219–40. Cham: Springer. https://doi.org/10.1007/978-3-030-46796-8_11.
Labaronne, Leticia, and Martin Piber. “Performance Measurement and Evaluation in the Arts and Cultural Sector : State-of-the-Art in Theory and Practice and Prolegomena for Further Developments.” Management, Participation and Entrepreneurship in the Cultural and Creative Sector, edited by Martin Piber, Springer, 2020, pp. 219–40, https://doi.org/10.1007/978-3-030-46796-8_11.


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